Liza Palmer's WHITE PICKET FENCES AND OTHER CRIMES AGAINST HUMANITY, about a teacher at a private school whose world is rocked when her school's seemingly perfect new headmistress is killed by her seemingly perfect husband; and THE LAST SUPPER CLUB about an aspiring chef who, after a disastrous attempt to make it in NY, drags herself back to Texas, taking a job preparing last meals for condemned prisoners (simultaneously being developed by th agency's film/tv department as a television series), to Carrie Feron at William Morrow, by Christy Fletcher at Fletcher & Company.

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